Within the confines of the stage frame, bodies are at play, close and confined. Touch, gaze, feel, the proximity of flesh and gestures. How to surpass the boundaries of our own skins? Scarred skins, stretched skins, tough skins, skins like sheets of drawing paper. A living performance with video, bodypainting, and documentary sound, attempting to narrate the experience of being in that particular skin and not another. The performative nature of our staging lies notably in the concrete encounter of the various tools we use with our bodies. Video, sound, makeup and all its materials, texts, voices, and the stage itself, filled with all these elements.